Skip to content

Support climate news that matters

Reader support keeps our work free. Donate now, and all gifts get matched through May 31.

Help us raise $50,000 by the end of May.

35%
Donate now

Articles by Dan Bree

Dan Bree is a television producer and writer in Northern California. His most recent program, "Megastructures: The Berlin Wall," airs this spring on the National Geographic Channel.

Featured Article

At 25 years of age, Sundance is the country’s premier festival of independent film. But a lot has changed over that quarter century. Well, actually, one thing has changed: m-o-n-e-y. There’s a ton of Hollywood cash spent at Sundance, and I could see it everywhere I looked last week. The “VIP” corporate parties on Main Street. The piles of free stuff for celebrities. The Moviefone flacks in their garish red suits. The furry boots worn by nearly every female in town.

In the midst of the hype, plenty of not-so-glamorous films were being screened. In fact, some watchers called this the “year of the message movie.” The festival’s 120-plus features included serious explorations of terrorism, the death penalty, and, yes, the fate of our fragile planet.

I was at Sundance helping friends with a documentary project, and I’d heard that tickets were nearly impossible to come by. But after spending time in a couple of painfully early wait-list lines, I managed to get in, and get an eyeful.

A Mobile Murder Mystery

The first film I saw, Who Killed the Electric Car?, tracks the demise of a short-lived, much-loved piece of adva... Read more