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  • View the winners of the ’60 Seconds to Save the Earth’ ecospot contest

    The Alliance for Climate Protection and Current TV had a contest for provocative ecospots: short video messages to motivate friends, community, and government to get involved in solving the climate crisis. The winner created a great visual metaphor:

  • Slacker credits

    This is from the very funny daily web comic Joy of Tech:

  • Water, world

    Nifty:

    earthairwater

    Left: All the water in the world (1.4087 billion cubic kilometres of it) including sea water, ice, lakes, rivers, ground water, clouds, etc. Right: All the air in the atmosphere (5140 trillion tonnes of it) gathered into a ball at sea-level density. Shown on the same scale as the Earth.

  • Wind-powered autonomous artificial life

    A friend of mine showed me this video last weekend, and I just wanted to show you all how freaking cool it is. It's a ongoing work of Dutch artist Theo Jansen, who's literally creating artificial creatures that can move on their own and survive autonomously on a beach. Wind-powered and updated using simulated genetic evolution ... well, just look!

  • Sobering dispatches from Alaska

    Impermafrost
    The melting and erosion of permafrost is probably the most visible manifestation of climate change in Alaska.
    Photo: Seth Kantner, www.kapvikphotography.com

    Author and photographer Seth Kantner has a new blog that shares his observations of a changing Arctic in words and images. From trees invading the tundra and freakish weather to the hair-raising loss of the permafrost, it's a must-read. His phenomenal book Ordinary Wolves (one of my favorites of the last 10 years) takes place in the town of Kotzebue on the northwest coast of Alaska (where he's from), where the tundra is literally melting away from underfoot and into the sea.

  • A new play with historical and environmental roots

    If theater is your thing, here's a great short review of the new play The Boycott -- by Kathryn Blume -- that challenges assumptions about what environmental activism should look like. A humorous and serious one-woman show, it's a contemporary take on Aristophanes' comedy Lysistrata, in which women from Athens and Sparta refuse to sleep with their husbands until they stop the war. Blume's schedule brings the show to Alaska and Vermont this month, and New Hampshire and Missouri this spring.

  • The next generation puts us to shame

    These are the winners of the 16th International Children's' Painting Competition on the Environment. This year's theme was climate change.

    un-winner.jpg

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    The works speak for themselves, but the children who created them also wrote eloquent statements. The winner (top) is by 12 year-old Charlie Sullivan of the United Kingdom, who writes:

  • Lessons from Burning Man 2007

    burning man fireworksA man in a hardhat just dropped off his chicken for me to mind -- a Japanese Silkie who watched me with one surprisingly smart eye as I typed this post. I reassured her I was a vegetarian, and she seemed to relax. After a few minutes, the man in the hardhat returned, thanked me, and said he was off to find a blowdryer so he could give the little hen a bath. Playa dust has coated her feathers.

    If it had been Monday, I might have thought this strange. But it's Sunday, and along with nearly 48,000 other people at Burning Man I've weathered two battering whiteouts of several hours each, and ingested some things I probably shouldn't have, and it was only after he'd walked away that I reflected back on the incident as unusual. That's what's great about this place: The Playa cracks your mind wide open. The spectrum of reasonable behavior widens. You question old prejudices and drop useless restrictions. Your mind frees up to learn.

    So what better place to learn new tricks for reducing our dependence on fossil fuels? For coming to understand -- in a visceral, tactile, immediate way -- what it means to produce and expend energy?

    This, I assume, is what the exhibits under the Man, in the Green Pavilion, were supposed to accomplish. There was a game you could play, in which you threw hacky-sacks at little boards painted with images of oil rigs and smoke stacks, hoping to knock them over. There was the "Single-Cell Solution," an exhibit by the Chlorophyll Collective, which takes up exhaust from biodiesel generators in fluid-filled tubes, feeds those nitrogen-rich emissions into a pond where it feeds algae. The algae can be used to make more biodiesel: A closed fuel cycle. A marvel. Why aren't we doing this on a large scale? What would it take?