This story is part of Imagine 2200: Climate Fiction for Future Ancestors, a climate-fiction contest from Grist. Read the 2021 collection now. Or sign up for email updates to get new stories in your inbox.
* * *
Itâs early summer and only a month until the last of the pods leave for the Kepler planets. Renem secured a contract for two; of course she wants me to go with her.
I need time to clear my head. She doesnât understand why, because it isnât like weâll be leaving anything behind. Our living situation is squatting on the good days and bench-sleeping on the bad. And thereâs no need to talk about family. Renem never knew her parents, and I buried what was left of mine years ago. Weâve been together for over half my life. Sometimes I wonder if itâs more out of necessity than love.
Iâm at Antimatter and the dance floor is packed as usual. It isnât exactly an upstanding place, but I feel at home here, like I can step out of my skin and become a part of something bigger. Thereâs someone passing out Tangle tablets in the corner. Itâs gray market, probably reverse engineered. I scan it quickly â only a 0.1 percent chance of meth-mod. A good sign, but not a promise; it could still be laced with some other addictive compound. I pay the price and pop one in my mouth. As the tab dissolves, my nagging thoughts dissolve along with it. The only trace is a saccharine ache on my teeth. Soon, I am nothing but free energy mixing in with the crowd.
Usually, everyone here is so much inside their own synth-induced bliss that itâs rare youâll ever get bothered. Tonight must be one of those rare occasions, because I can feel someoneâs eyes on me. I stop dancing and try to locate the source, but every time I strain to make sense of the shapes around me itâs like Iâm going the wrong way on a kaleidoscope. Blurring out of focus, everything vague and undefined. But still beautiful. Thereâs someone running toward me, doubling back, cutting out large loops and spirals. The movement makes my head spin. I see a flash of wings as thin as cobwebs.
The crowd is shifting and feverish and I lose the jumble of colors as quickly as I first found it. If only the rainbow strobe would shut off, just for a minute. I slump down to the sticky floor, burying my face in my hands. I rub my eyes open and they sting from the sweat. But I notice something promising, something on the concrete. It is bright and yellow, glowing. It looks like a trail.
Following a near invisible line through a packed dance floor is no small feat, especially when youâre on nothing but hands and bare knees and a mid-grade party drug. By the time Iâm outside, Iâve had more drinks spilled on me than a champagne girl in one of those awful gentleman orgs. Need to stop thinking about that before I get even more nauseous. My vision is cutting out and soon my memory will go along with it. But not before I see it.
Iâm up on the rooftop and the line is hardly linear; itâs more like a maze of unspooled thread. Eventually it makes its way up a half-broken brick wall, circling a tall mural that must span over 20 feet. I donât know what I am expecting, but it isnât this.
Long wings, bubbling eyes, a body that glows green in the moonlight. Itâs the most beautiful insect Iâve ever seen. I move closer, reaching out to make contact. I trace what I can with my fingertips and take in a deep breath. It isnât paint that forms the image but something heady: laced with decay, multi-textured, alive. My optic mod explodes with names right before my vision goes. The words are all thatâs left imprinted on my eyelids: Xanthoria parietina, Lichina pygmaea, Hypnum cupressiforme.

âI saw something amazing tonight.â
Iâm back with Renem somehow, in our half-roofed abandoned building. Sheâs holding me, stroking my hair. But I know sheâs angry. Iâm shaking in her arms.
âItâs always easy to find you, at least.â
Animosity underneath those eight easy words. She doesnât consider that sometimes I donât want to be found. And she wonât ever consider it, not if she wants to keep her savior complex going.
I try to keep the upcoming fight at bay, pleading to her that this time it was different. âThere was someone who sent a message to me,â I say.
She turns away. Her dark, strong face is framed by moonlight streaming in through the gaps.
âStop acting like a child, Talli.â Renem spits out my name like itâs a curse. âWhen are you going to grow up?â At this she lets go and stands up, her warmth escaping with her.
I shiver as the sweat saturating my dress turns cold.
My conciliatory efforts evaporate along with the heat. âOh, so itâs the adult choice to be slaves on 452b?â I retort. I shiver as the sweat saturating my dress turns cold. âYou know weâll never make the debt up. They designed it that way.â
She shakes her head, as if the point Iâm making isnât one that matters at all. âYouâve seen the pictures. Those planets are our only hope. I could make a life for us.â
She comes back to me then, trying to get under the pile of blankets. I pull away. The night is warm enough without her.

Iâm seeing bees everywhere: ads in my feed â useless things like costumed clothing and jewelry and products I could never afford â and people on the street adorned with antennae and shimmery wings. I see real bees too, landing on scrawny little plants growing through the concrete and buzzing around the flowering vines that move like snakes around the downtown ruins. Maybe theyâve always been there, but itâs the first time Iâm really noticing them. I keep my optic mod on constantly so I can identify and log each new species. My favorites are the small, mostly black insects Iâve always assumed were flies. Now they are bees and have beautiful names: Ceratina acantha, Hylaeus annulatus, Chelostoma philadelphi, Lasioglossum imitatum, Sphecodes monilicornis. I can tell them apart even with the mod switched off; yellow slits near the eyes are a trademark of Hylaeus, and Sphecodesâ bright red abdomen is instantly identifiable. There is something in my head too, a faint but unshakeable hum. It reminds me of what a hot, lazy summer should sound like. Whenever I bring up any of this with Renem, she says Iâm wasting both of our time.
Itâs becoming easier to distinguish the real from the fake â separating the trendy insect body mods from the type of figure I saw weeks ago. And Iâm noticing something surprising inside me, a feeling I wouldnât expect myself to feel. As more of the rich leave for virgin planets and the afterglow of their ships leave me with green-yellow retinal burns, Iâm not filled with worry or despair. If anything, Iâm hopeful.
Iâm noticing something surprising inside me, a feeling I wouldnât expect myself to feel.
Iâm in downtown Brexton-Maine when I spot one of them. Even with my sober mind, itâs still hard to fully describe what I see. Maybe the person has some type of field scatterer on them, making them harder to track. But itâs one of them. I know it; I feel it, and when I look down, thereâs that same wandering fluorescent yellow line.
I lose the figure quickly but I continue following the line. It leads me to a warehouse about 10 blocks from where Renem and I are currently staying. I should have been spending my time scavenging in the outer zone landfills and selling what I could. At least, thatâs what Renem would want me to do.
Iâm not scared to go inside. But when I push open those heavy metal doors, I am surprised at what I hear and see: an incessant, relentless droning, thousands of seedlings, and a single person dressed in white. A beekeeperâs uniform.
âI take it you followed our trail?â
I say something to respond, but the words come out jumbled. The roar encases me, maddening and sweet, and the bright white of the fluorescent lights gives the warehouse a supernatural glow.
âMore and more people are finding us.â The veil hood comes off, revealing dark eyes and a tumble of long brown hair. âIâm Wyl. They/them.â Their cheeks are red-flushed and shining. âWhatâs your name?â
âTalli,â I say. âShe/hers.â
âWelcome, Talli. The rest of those who found us today are upstairs.â
Their words give me a twinge of unexpected sadness. My reaction must be obvious, because Wyl gives me a wry smile and a raised eyebrow, as if to say, âWhat, you thought you were the only one?â Somehow I hadnât expected others to have found this place. The mural at Antimatter, the figure in the street, it all seemed like it was designed just for me. My own map to something, a map that could save me. Save us, I mean.
As I follow them to the back of the warehouse, weaving through rows of wildly varying plant starts, I locate the source of the hum. Large beehives, which isnât surprising, but also structures that I canât quite name: huge stacks of hollowed-out wooden tubes and tracts of soil in tanks that stretch half the width of the entire wall.
âOnly a few bee species live in hives, you know,â Wyl says.
We walk up the industrial staircase, eventually surpassing the level of the ceiling lights. Above us is a steel trapdoor. They release the latch and push. And then there is blinding sunlight, dozens of people, and rows upon rows of flowers, vegetables, and berry bushes, and fruit trees filled with jays and chickadees.
âThe world is in a lot better place than they would have us believe,â Wyl says. âYes, there is destruction, but there is also cause for hope. So much hope.â
Wyl doesnât need to clarify the âtheyâ they are speaking of. Itâs clear theyâre talking about StarSpace.
The group is a diverse one: a wave of colors and expressions that come together to form a single, composed image. I turn to face Wyl, but they have already woven their way into the center of the crowd.
âFor those of you just arriving, welcome.â Wyl pauses for a moment, and smiles warmly at us. âThe Keepersâ mission is simple. We are a group of people who have recognized a way of being that has been present on Earth for thousands of years. A way of being that centers community and kin-making with all animate beings. It is also a way that has been recognized by other people, on other planets. Tell me â â they pause, and gesture to a young man in the front of the crowd. âWhat pronoun would you use to describe what you see here?â Wyl points to a bee meandering lazily through the air. Unconsciously, I move closer. The insect lands on a purple sunflower â Echinacea purpurea â right next to me. The bee is no honeybee; the metallic green of its head and thorax makes that abundantly clear. I know the name to give it: Agapostemon virescens.
The man smiles in a self-conscious way, like he is afraid of being tricked. His flushed cheeks are almost as red as his shirt. âItâs on a flower?â
Wyl smiles, but shakes their head. âThat is what I assumed you would say, but weâre here to show you a different way of seeing the world, and the inhabitants we share the world with. Our mission is more than beekeeping, gardening, and rewilding. Weâre fighting for a semantic shift too. What do any of you know about 452b, the first planet the pods landed on all those years ago?â
“Our mission is more than beekeeping, gardening, and rewilding. Weâre fighting for a semantic shift too.”
Iâm never one to speak up in crowds, but something compels me to answer.
âThe plant people living there, they can hardly tell anything apart,â I say. âNot just from each other, but from anything that is alive. Everything is connected. Thatâs why their language is so hard to understand.â
Wyl nods, and I assume Iâve given the right answer.
âYouâre close, but that isnât quite it.â
I stay silent. My cheeks are now flushed too.
âYou are correct about one thing. The Heliogen language is certainly difficult to translate into our own. English speakers inherited a language of imperialists, one that objectifies and capitalizes on virtually everything it comes into contact with. The language of the Heliogens is far different. Their language emphasizes the connections between us, not the arbitrary boundaries intended to separate us. Heliogens even have a pronoun for everyone, and everything. And that pronoun is âse.â A Heliogen would never say, âIt is flying through the air,â because they recognize the similarities we share with other animate beings as being far more important than our differences. âSeâ is the ultimate form of respect, expressing the connection we â or should I say âseâ â share with all others. This bee, se pollinates our flowers; the flowers, se give us nourishment and beauty. Our words are just as important as our actions. They shape our mind, our way of seeing, our sense-making.â
It is beautiful, what Wyl is saying, but also difficult to grasp. As I try to think about the way the language I speak influences the way I understand the world, I feel my thoughts go fuzzy.
âWe can even use âseâ to describe ourselves, for it is incorrect to think of âyouâ or âmeâ as composed of only human-ness. In fact, se are working together with trillions of prokaryotic cells. So this makes us amalgamations, holobionts, chimeras, constantly changing, yet one.â
Wyl pauses for a moment to catch their breath. I realize I have been holding mine.
âAnd finally, there is another way of seeing that we find equally as important, a way of seeing that recognizes change and connection as the constant. Think of the Passamaquoddy people â my people â who are indigenous to the very ground we stand on. We have a multitude of words for âriver,â âfield,â and âwind,â among many others; words that are both animate nouns and verbs. Think of a river. How strange it is that English has only one word to describe a force that is constantly in flux. The Passamaquoddy, by contrast, have distinct words to describe where the river widens out, kskopeke; where se comes back in, ksepiqe; where se divides or comes back together, niktuwicuwon â just to name a few. It is difficult to change the relationship you have with your language, but it is not impossible. First, it takes awareness.â
Wyl keeps giving more examples, like how classifying a field as a thing, as an âit,â makes it that much easier for the land to be exploited and disrespected. Instead, if we think of a field as part of something connected and important, as an expression of the land at a point in time â pomskute, a field goes along â we will tend to it â to se â all the more justly.
âEverything shifts once you realize that it is our responsibility to take care of our home, if there is to be any hope for se to, in turn, take care of us,â Wyl says. âNature is resilient, ever-changing, adaptable. And our role as steward, as changer, is nothing new. Humans have been changing nature for tens of thousands of years. As far as geological time goes, it is only recently that this change has turned disastrous and destructive.â
From radical rewilding to inner-city gardening, Wyl explains the Keepersâ vision as one that includes a multitude of solutions. I look around: rich soil, large trees, an abundance of food and flowers. The scene is nothing like the sterile monocrops Iâm used to seeing advertised by FarmCo. Se is half-wild and beautiful, tended by humans and thriving on top of concrete.
It has only felt like a few minutes since I arrived, but the setting sun tells otherwise. Wyl has finished talking, and I find myself sitting next to them, watching the empty clouds fill with color. I ask them how long theyâve been with the Keepers.
âA few years now.â Wyl smiles and shades their eyes. âI can hardly remember what my life was like before them.â
âIf what you were saying is true, if there are thousands of you …â
âThen why havenât you ever seen us?â
I nod.
âYou have. You just didnât know it.â They stop for a moment and pick a flower from a nearby bed. Gaillardia aristata. âThatâs the problem with how people think about us. Like we must all be wearing homemade clothes and living in communes or something. Of course, some of us are that way.â They laugh and twirl the flower between their thumb and forefinger. The petals are yellow-bordered and red like the skyâs fading streaks. âBut the point is, anyone can become a Keeper, if they want to.â
âI want to.â My voice comes out as a whisper.
Wyl doesnât say anything at first, but the silence isnât uncomfortable. After a few moments, they answer.
âI was hoping youâd say that. You seem right for us, Talli. And youâve already become quite the citizen scientist.â
I look at them quizzically. They laugh. âDonât worry, weâre not tracking you. The logs you post are public, thatâs all.â
I smile, feeling my body relax back to where it had been. At this moment, I convince myself everything will be OK. That Renem and I will be OK, and that I can make her see how much this place makes sense for us. That Earth is not a doomed planet. That there is so much possibility and potential right here.
Itâs too much to think about, so I try to shift back into the present. I ask Wyl if theyâve ever been outside of Brexton-Maine. Their laugh is small and intimate.
âWhere havenât I been?â They pause for a moment before continuing. âI first started with them in New Texas, with all the Pleistocene rewilding that went on there.â
I feel my jaw drop. âI heard about that. You dropped off giant tortoises and camels in the desert. Carnivores too. Lions, cheetahs. The leaders there were furious.â
âThey were.â Wyl grins. âIt worked beautifully. We bought thousands of acres of unused, forgotten land. Of course, not fencing off that land made a few people angry. But it was worth it. We started with a few hundred animals, all from critically endangered species. Now se are thriving, and the land is more life-giving than se has been for thousands of years.â
Wyl trails off. Their hair is softly blowing, and backlit by the remains of the sunset.
âYou know, weâve done some rewilding at a smaller scale close by,â they say. âDo you want to see it?â
I canât find words strong enough to express my eagerness, so all I do is nod my head yes.
They lead me out of the building, to their car parked on the street behind it. âI havenât been in one of these in ages,â I say.
Wyl grins again. âTheyâre a lot cheaper when you donât have to pay for electricity through the city.â
We drive. After half an hour, weâve made it to the swampy part of the city, where flooding is the norm and anyone unlucky enough to still be living here is used to their homes being full of mold and rot. They pull off abruptly. The huge, abandoned lot doesnât seem like an important place. It is marshy, overgrown, and filled with mosquitos. But Wyl gets out of the car anyway and I follow, treading through muck and reeds until we get to a medium-sized pond. They had said this rewilding would be at a smaller scale, but I wasnât expecting something this small, this insignificant.
âIs this it?â I ask, trying to keep the disappointment out of my voice.
âNightfall is almost here. Be patient.â They crouch and beckon me to follow suit.
They had said this rewilding would be at a smaller scale, but I wasnât expecting something this small, this insignificant.
Wyl was right; the sky is soon devoid of color and the heat of the day escapes into the air. At least some of the mosquitos escape with it. My back aches, and I scratch the swelling welts on my legs and arms. I am in the midst of making up some excuse when I hear something. It is vaguely human and squawky, a throaty, almost musical sound.
âWeâve brought life back into hundreds of places like this. Puspahkomike, wetlands. Have you spotted one yet?â
I shake my head, even though they probably canât see me in the dark. I feel embarrassed to ask it, but I go ahead anyway. âWhat is that noise?â
Wylâs voice is little more than a whisper. âFrogs, Talli. Hundreds and hundreds of frogs.â
âIt canât be,â I whisper back. âHavenât they been extinct here for decades?â I know Iâm right; I read a few years back about a fungus spreading throughout most of the northeast, one that killed off frogs, salamanders, and other amphibians.
âAt one point, yes. But there were some species that werenât susceptible to the chytrid. And we brought se here.â
I keep my mouth shut, but in my head I wonder whatâs so great about bringing a few frogs back. The Pleistocene rewilding, that I can understand. But this, it seems like a lot of effort for nothing at all.
âFrogs are a keystone species, you know,â Wyl says as if reading my mind. âJust like the megafauna we introduced in the southwest. Ever since bringing se here, other animals have come back too. Snakes, birds, small mammals. This little pond is a fully functioning ecosystem.â
My eyes arenât the only things adjusting. I peer closely at a collection of wet, shiny rocks; of course, they arenât rocks, but round, gleaming, beautiful frogs.

We are back in the car, and I want to stay in this moment forever. I force time to slow down, to notice everything surrounding me. The way Wylâs nose curls up ever so slightly, the smattering of freckles across their face. Their deep brown eyes that look just like Renemâs. Renem. Wyl is playing some type of sad, sweet music that helps stretch out the time. It is wordless, classical-sounding. But someone like me wouldnât know. It seems like Wyl is driving slower than they have to, maybe they feel the gravity of the situation too. Iâm suspended on one endpoint of a pendulumâs arc, and Iâm not sure if Iâll ever be able to swing back to it. My real life isnât rewilding and honoring the world with new words; it is tense conversations, struggling to survive, and convincing Renem we donât have to leave Earth.
Wyl breaks the silence. âCan you spare a few more hours?â they ask. âI need to show you one more thing.â
Weâre already in my part of the city, only a few minutes away from the long-abandoned butcher shop Renem and I are currently calling home. Itâs been hours since I last contacted her.
âIf you have to go back, I understand.â Wyl stops the car and taps their fingers nervously on the dashboard.
âA few hours wonât hurt,â I say.
Wyl smiles and pulls a U-turn. âItâll be worth it. I promise.â
Those few hours pass quickly. We â well, mostly Wyl â talk about everything from the flawed rhetoric of 20th-century environmentalists â âTheir intentions were good, but why was âSave the Earthâ their motto? Why didnât they just say âSave ourselvesâ?â â to the Keepersâ terraforming projects in Siberia, the Sahara, and along the Gulf of Mexico. Their chatting makes time snap back into a more natural pace, but it still isnât fast enough for me to forget about the growing knot in my stomach.
As if on cue, I receive a message from Renem: Where are you?
Even though there isnât any audio accompanying the neuro-text, I know her tone is sharp and accusatory. I also know that she is probably worried. I ignore it for close to half an hour, but eventually reply: Iâm trying to figure out something for us.
Her response is hardly a surprise. Youâre crazy if you think that cult can save you.
It could save us, I reply.
Weâre leaving tomorrow.
The sky cracks and goes red. I cower in the passenger seat and cover my ears. Another swarm of shiplets breaking through the atmosphere. The crimson streak soon fades into blackness. I had forgotten that itâs tomorrow. The pang in my stomach intensifies.
âWeâre almost there,â Wyl says.
Weâre out in the open countryside, or what has been turned into countryside. The bones of some now-useless industrial compound stick out of the rolling grasses and flowers; its strangeness amplified by the full moon. The road curves sharply. Itâs difficult to see it all clearly, but as we pass around a large hill, dozens of small houses, rows of half-wild gardens, and glinting solar panels come into stark relief.
âI thought youâd like to see one of our communities.â Wyl steps out of the car and gestures for me to follow. We walk to one of the garden plots; the intertwined pea and squash tendrils snake around the trellis and appear alien in the moonlight.
Wyl plunges their hand into a bag tied around the trellis and pulls out a gleaming handful. âSeeds can be planted anywhere. They donât need perfect conditions to grow.â They drop several into my outstretched palm and close my fingers around se tightly. âNature never went away in our city. I know you know this. Se just needs tending â stewardship. Will you be one of our Keepers?â
As Iâm about to reply, I hear the ping of another message. Tears spring to my eyes, tears equally composed of mourning and relief. The drops land wet and alive and seep into the soil below me. I take my gaze upward, away from the seeds in my hand and eye-to-eye with Wyl. And I nod.

Lindsey Brodeck (she/her) lives in Bend, Oregon, and is a graduate student at the University of Washington studying speech language pathology. She has an MFA in creative writing from Oregon State University-Cascades, and a BA in Biology-Environmental Studies from Whitman College, where she completed a two-year thesis studying native bee and plant interactions. Afterglow is her first published story.
Amelia K. Bates is a Wisconsin-based illustrator and the senior designer at Grist, and holds a certificate in Natural Science Illustration from the University of Washington-Seattle. She draws inspiration from birds, plants, and other denizens of the natural world, and is currently at work on a tarot deck featuring Wisconsinâs flora and fauna.rn